James Bonsall “In Trispective” Acrylic Still Life 1966 Painting

Original 1966 acrylic on stretched canvas by Louisiana artist James Belton Bonsall (1926–1999), signed verso and inscribed “No. 7, 5/’66, In Trispective, Bonsall.” This compelling mid-century composition presents a still life of fruit, wine, and draped cloth arranged across a tilted tabletop, executed in bold, expressive brushwork.

While rooted in traditional still life, the work expands into a layered spatial exploration. In the foreground, oranges, limes, and lemons rest within a handled basket and across white cloth, emphasizing weight and form. Beyond, the composition transforms—green passages and linear elements suggest landmasses and river-like tributaries, transitioning into a sweeping curved horizon that evokes the Earth seen from a distance. A deep blue field surrounds this arc, suggesting atmosphere or outer space.

Titled “In Trispective,” the painting reflects Bonsall’s experimental approach to perspective, combining multiple viewpoints within a single composition. The work moves simultaneously through still life, landscape, and planetary space—shifting from intimate tabletop scale to a broader, almost cosmic vantage point. This layered construction aligns with mid-century modernist exploration, where traditional perspective is intentionally expanded and reinterpreted.

Presented in a solid wood frame, the painting offers strong horizontal presence and a sophisticated balance of structure, color, and conceptual depth.

Artist Biography:
James Belton Bonsall (1926–1999) was a Louisiana-born painter associated with the New Orleans French Quarter art community. Born in Grand Chenier, he served in World War II with the U.S. Army’s 99th Infantry Division under General Patton before studying fine arts at Louisiana State University. He later worked in California in set design for theater and film, then returned to New Orleans in the 1950s where he became part of a vibrant artistic circle. Bonsall produced landscapes, still lifes, and abstract compositions, often emphasizing stylized natural forms and experimental spatial arrangements. He exhibited regionally and maintained a lifelong artistic practice alongside careers in advertising and social services.

A distinctive and intellectually engaging example of Bonsall’s work, this painting bridges traditional subject matter with modernist innovation, making it an appealing piece for collectors of mid-century and Southern regional art.

Condition:
In very good condition overall, with light wear consistent with age. No remarkable damage observed. The frame remains solid and presents well.

Dimensions:
Overall: 30.25 x 48.25 x 1.5 inches
Visible: 22.25 x 40.75 inches