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Lot # J869

Clarence E. Kincaid 'Autumn Aspens', 1964 — Original Watercolor, Signed & Framed View Watchlist >

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Lot # J869
System ID # 24902317

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Description

Clarence E. Kincaid 'Autumn Aspens', 1964 — Original Watercolor, Signed & Framed

A luminous original watercolor by Clarence E. Kincaid (American, 1927–1983), signed and dated 1964 at lower left. This captivating composition portrays an autumn grove of aspen trees alive with golden foliage and warm russet tones, set against a brooding blue-gray mountain sky. Kincaid’s exquisite control of watercolor wash and textural layering evokes both serenity and drama — hallmarks of his celebrated landscapes inspired by the American Southwest.

Presented in its beveled wood frame with linen matting behind glass, this work reflects the artist’s dual mastery as both painter and educator. A fine, atmospheric example from his mid-career period, it embodies the lyrical precision that made Kincaid one of Texas Tech University’s most revered art professors.


Condition:

Excellent condition with vibrant color and no damage or discoloration. Frame and matting are clean and well preserved under glass.


Dimensions:

Overall: 18" × 25"
Visible image: 12.5" × 19.5"


Artist Biography — Clarence Everit Kincaid Jr. (1927–1983)

Born in Ardmore, Oklahoma, Clarence E. Kincaid was a distinguished American watercolorist and educator whose career reflected a lifelong devotion to the interplay of light, landscape, and learning. After completing his formal art training, Kincaid joined the faculty of Texas Tech University in Lubbock, where his influence would shape generations of artists. In 1972, he was named a Horn Professor, the university’s highest honor for scholarly and creative excellence — a testament to his mastery of the watercolor medium and his profound impact as a teacher.

Kincaid’s paintings, often depicting the natural grandeur of the American Southwest, are celebrated for their vivid yet harmonious color, expressive brushwork, and impeccable command of transparency and atmosphere. He balanced technical precision with emotional resonance, turning familiar groves, hillsides, and skies into meditations on light and time.

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