E. Silva Virgen de Guadalupe Hand-Painted Altar — Hecho en México View Watchlist >
- Winning Bid: $160.00
- 46 Bid(s) View Bid History
- High Bidder: jalapenobrown
Seller Accepts Credit Cards
Payment and pickup instructions will be available on your invoice (under "My Account") at the conclusion of this auction.
Lot # J683
System ID # 24796655
Start Date
End Date
4 Watching
E. Silva Virgen de Guadalupe Hand-Painted Altar — Hecho en México
This large, hand-painted altar by E. Silva stands not only as an object of devotion but as a work of cultural memory. Measuring 27 inches high, 22 inches wide, and weighing 35 pounds, it occupies the space once reserved for family or chapel altars — a scale that invites presence, prayer, and reflection.
Crafted in wood with turned silvered columns, a gently pitched terracotta-style roof, and an ornate iron railing, the piece embodies the tactile intimacy of Mexican folk craftsmanship. Within its arched niche, the Virgen de Guadalupe — known affectionately throughout Mexico and New Mexico as La Morenita — appears in radiant tones of emerald, rose, and gold, surrounded by hand-painted roses recalling the miracle at Tepeyac Hill. The reverse bears Silva’s signature.
A Dialogue Across Borders
The retablo form — from the Spanish retro tabulum, “behind the altar” — arrived in the Americas through colonial faith but evolved into something profoundly regional. In Mexico, artisans translated European sacred art through local materials and color, giving birth to a folk devotional style that was both personal and communal.
In New Mexico, that same impulse blossomed through santeros, whose painted santos and bultos filled adobe chapels with light and prayer.
Silva’s altar sits squarely within this living dialogue: a Mexican hand shaping a form instantly familiar to the Northern New Mexican eye. It is part of the same story of devotion — the desire to make the divine visible in daily life.
An Object That Teaches
To study this piece is to learn how faith takes form in material. The brushwork is deliberate yet tender; the ironwork, both protective and decorative; the proportions, balanced to center the Virgin as both figure and presence. It teaches us how art in devotional cultures is not about spectacle, but intimacy — about creating a space where spirit and craft coexist.
Condition:
Very good overall, with bright stable paint, light surface wear, and gentle patina to roof and railing. Minor age-typical irregularities in the wood. Structurally sound and visually striking.
Dimensions:
Overall: 27 in H × 22 in W × 20 in D
Interior: 20 in H × 14.5 in W × 13 in D
Weight: 35 lbs
(Campbell’s soup can shown for scale.)